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Категорія: 26.04.2017 268

Гамлет – кінозірка

З друку вийшла нова книжка «Шекспір на екрані: Гамлет» (Shakespeare on Screen: Hamlet). Усім, хто зацікавився, пропонуємо переглянути зміст видання, а також іншу інформацію тут.

The latest volume of the “Shakespeare on screen” series is now
available, Shakespeare on Screen: Hamlet, published by the
Publications des universités de Rouen et du Havre, 2011, ISBN
978-2-87775-511-5.


Orders:
lcdpu.fr, univ-rouen.fr/purh or www.amazon.fr
Contact PURH : 02 35 14 65 31 or
purh@univ-rouen.fr

You will find the table of contents below.
Best wishes,
Sarah Hatchuel (Le Havre) and Nathalie Vienne-Guerrin (Montpellier)

Shakespeare on Screen: Hamlet


Contents

Notes on the Contributors 11

Preface
Sarah Hatchuel and Nathalie Vienne-Guerrin 17

Hamlet on Film at Mid-Century and Fin de Siècle: Olivier and Branagh
Samuel Crowl 27

Hallmark Hall of Fame: Three Go’s at Hamlet (1953, 1970, 2000)
Bernice W. Kliman 47

The Country Matters in Kozintsev’s Elsinore
Dominique Goy-Blanquet 61

To Cut or Not to Cut? What’s in the Written Text of Filmed Hamlets
Jacek Fabiszak 81

The Gaps in Gertrude: Interpretations of the Role in Five Feature Films
Russell Jackson 97

Joseph Papp and Diane Venora Rehearsing Hamlet
Patricia Lennox 117

The Ghost and the Skull: Rupturing Borders between the Living
and the Dead in Filmed Hamlets
Victoria Bladen 143

Hamlet’s Ghost on Screen: The Paradox of the Seventh Art
Pierre Kapitaniak 175

Hamlet and World Cinema: A Paradigmatic Instance
Mark Thornton Burnett 191

Akira Kurosawa’s The Bad Sleep Well (1960) and Aki Kaurismäki’s
Hamlet Goes Business (1987): Film Noir or Neo-Noir Modern Hamlets,
or Genre as an Ideological Signifier
Anne-Marie Costantini-Cornède 201

Nouveau Noir: Claude Chabrol’s Ophélia, Shakespeare’s Hamlet,
and the Nouvelle Vague
Douglas Lanier 235

‘I’ve been killed, but I’m not dead’: Remains of Hamlet in the French
telefilm L’Embrumé (1980)
Sarah Hatchuel, Nathalie Vienne-Guerrin 257

André Téchiné’s Shakespearean Trilogy?
Frédéric Delord 277

Une femme douce by Robert Bresson: Hamlet or Anti-Cinematography
Gaëlle Ginestet 291

2B or not 2B: The Elect(ed) and the Damned in Hamlet 2
Courtney Lehmann 309

‘Hamlet on Harleys’: Sons of Anarchy’s Appropriation of Hamlet
Sylvaine Bataille 329

‘Not to Be’: Referencing the Rest of Hamlet on Screen
Mariangela Tempera 345

Hamlet on Screen: An Annotated Filmo-Bibliography
José Ramón Díaz Fernández 369

Abstracts / Résumés 533

Матеріал представлено Європейською шекспірознавчою асоціацією (ESRA) (http://www.um.es/shakespeare/esra/cfps/)